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HIGH

A film by Tisha Robinson-Daly & Jonathan Mason

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Read 

our article in filmmaker magazine

 

& on VirtualProductionProducer.io

(by American Cinematographer's Noah Kadner!!) 

ABOUT THE FILM 

In the aftermath of a freak accident, a nomadic tower climber is forced to repair the connections he needs most -- With his family.

SOME BACKGROUND

Given our tech-driven and communication-obsessed culture, it’s highly likely that you’re reading this while multitasking on your smartphone. But as is the case with so many commodity industries like data, the true cost of all this connectivity often eludes us. This disconnect is what drove us to write the film HIGH, set in the fascinating and rarely seen world of telecom tower climbers. In the aftermath of a tragic accident, team foreman Butch Robbins leads his crew through the brutal Buffalo winter to finish their job on deadline and save the company, all without losing the connection he needs most— With his family back home. 

 

In the summer of 2014, Tisha Robinson-Daly was working in that industry as a project manager when a friend and colleague reported news of a harrowing incident: In the haze of that dense Kentucky summer, Joel Metz (28) and his team worked diligently on the scalding steel to replace an antenna atop a 240-foot tower. Suddenly, a cable snapped. Joel, father of four, was killed instantly, and his body hung in its harness for more than five hours while emergency workers struggled to bring him back down. 

As a telecom worker, storyteller and citizen, this was a transformative moment for Tisha—Joel’s tragic story and the grief his partner and four young sons experienced was deeply affecting. Determined to shed more light on this hidden world, Tisha’s research soon uncovered a grim reality—climbers regularly faced brutal deaths (OSHA called it the most dangerous job in America), but their working conditions often remained underreported and shrouded in silence

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Over the next few years, Tisha shared stories through social media and documentary work to advocate for climbers via her nonprofit, “HIGH the Movement.” In 2017, she workshopped an early draft of HIGH’s script at the Sundance Screenwriters Intensive, where Tisha first met fellow Philadelphia-based filmmaker, now long-time collaborator Jonathan Mason.  Working together, our HIGH goal was set: To write and direct a gripping, cinematic story about the price of communication and its undeniable impact on the family unit.  

A BRIEF TIMELINE OF OUR PROGRESS

CASTING ALL ROLES!

HIGH heads to TRIBECA FESTIVAL 2024's CREATIVE MARKET
& Work-in-Progress screening

- Read in Variety

PROOF-of-CONCEPT RELEASED!

2023

For the past six months, we've been designing and producing a short proof-of-concept to test the viability of using virtual production for our tower scenes. While we shot this as a test, we're now confident that we can scale up to produce more intricate and choreographed tower scenes safely and on budget.  

"HIGH" (VIRTUAL PRODUCTION / UNREAL ENGINE / AI  PROOF-OF-CONCEPT TEASER)
Play Video

HIGH is currently in the packaging phase and is out to cast. We hope to update you very soon with more exciting news!

2024

HIGH (or how to use Virtual Production on an indie film budget)
Play Video

SUMMER 2023

BEHIND THE SCENES

Learn more about virtual production, and why we chose this particular technique. You can also follow the crew's process in our article featured in Filmmaker Magazine. 

EPIC MEGAGRANT

SUMMER 2023

We successfully applied to Epic Games' MegaGrant program, which helped support our proof-of-concept using Unreal Engine and Virtual Production

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2022

PRODUCERS JAMES J. YI,  BEN BAKER & HANNAH WEYER JOIN TEAM

Governing Polution

James comes with a long track record in the indie world, having produced four Sundance selections, and a variety of work in Toronto, Detroit, San Francisco, and LA. 

Ben is a co-founder of MESH VP, a virtual production consultancy and line producing group 

Hannah Weyer joined as our EP. Her films have screened at the Human Rights Watch, Sundance and the New York Film Festivals and won recognitions, including awards from LoCarno, Sundance, Doubletake Documentary and South by Southwest Film Festivals

SUPPORT & DEVELOPMENT

The journey for our feature screenplay HIGH began with Stowe Story Labs, and continued at the Sundance Writer's Intensive, in Philadelphia where Jonathan and Tisha first began collaborating.  

With our first completed draft, HIGH was a selection of the Tribeca Creators Market, and the Tribeca "Writing in Unreal lab" (in partnership with Epic Games).

 

In 2022, HIGH was a finalist for the prestigious SFFILM RAININ GRANT.

Other key supporters have included disguise, Roe Visual, Cintegral, MBS Equipment, BeCine and a growing list of friends, collaborators, and advisors. 

To join us, please reach out directly here!

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HIGH | TEASER

HIGH @ CANNES NEXT
GLOBAL VP SUMMIT

HIGH | BEHIND-THE-SCENES

HIGH @ CANNES NEXT
GLOBAL VP SUMMIT

READ OUR ARTICLE IN FILMMAKER MAGAZINE

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Want to join the HIGH team? We'd love to hear from you!

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